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By Patricia R. Everett

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Additional resources for A History of Having a Great Many Times Not Continued to Be Friends: Mabel Dodge and Gertrude Stein, 1911-1934

Example text

I wish to thank my editor, Dana Asbury, for her immediate and enthusiastic response to my manuscript and for her patience and guidance throughout the final stages before publication. I am very grateful to my parents, Jean Halverson and William Everett, for providing me with an education that opened up so many doors and for their love and faith in me beyond this project. Barbara and Lew Ellenhorn and Gintare Sileika Everett also have given to me in important ways with their enthusiasm about this book.

He purchased works by Cézanne, Gauguin, Matisse, Picasso, and Renoir. Relegating to his study the Japanese prints that had previously decorated the living room, Leo covered the walls, eventually up to the ceiling, with paintings. In 1907, the Steins organized the haphazard visits by artists and friends into regular Saturday evening gatherings; their more intimate artist friends were invited to an early dinner. From nine o'clock in the evening on, others were free to drop by for art viewing, conversation, debate, food and drink, and gossip.

53 In New York, the central meeting place for the avant-garde in art was Alfred Stieglitz's Little Galleries of the Photo-Secession at 291 Fifth Avenue, cofounded in 1905 with the photographer Edward Steichen. When the gallery moved in 1908 to 293 Fifth Avenue, it changed its name to 291, the name by which it had already been commonly called. Hutchins Hapgood had first taken Mabel Dodge to 291 at the end of 1912. She returned frequently to the gallery, drawn to the atmosphere Stieglitz created and the company he kept: It was one of the few places where I went.

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A History of Having a Great Many Times Not Continued to Be Friends: Mabel Dodge and Gertrude Stein, 1911-1934 by Patricia R. Everett


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